Stitching Away

Two very quick progress reports today.  First, the sample of the Upcycle project:

Image and design copyright RPS

I simply took a piece of muslin and drew a portion of the trick or treat lettering in marker.  Then, made some hasty sketches of chickens and free motion quilted them on my little Elna model 50 "Grasshopper."  Then I began to go over the marker letters in chain stitches, at the same time auditioning two different weights of WonderFil Eleganza thread.  In all of the drawing classes I have had, my teachers always stressed the importance of drawing directly from the real thing, don't try to draw from memory.  These chickens are proof of that advice. 

I have dabbled a little bit with one of the little Mardi Gras series - the ones where I was supposed to finish one a week - here is some hand embroidery that I am pleased with:

Image and design copyright RPS

I am off to at least find pictures of chickens.  There is a barn full of chickens within sight of my house, but I don't know the neighbors well enough to ask them if I could hang out there for a while drawing their laying hens. 

More Unfinished Business

What is it about quilters/textile artists that we seem to amass so many unfinished projects?  Just about every quilter I have known has a sizable stash of "UFOs" (unfinished objects), and some even take pride in having more UFOs than other quilters.  Are other artists this bad with not completing things?

Anyway, I have not touched the Mardi Gras 8x10s" in the last week.  I picked up another project that I started a year ago: a collage that started with a tea towel.

image and design copyright RPS

The only thing that the tea towel had on it when I dug it out of an auction box lot was the embroidered clover flower and leaf at the bottom (and some stains).  It has come a long way, hasn't it?  I am building up a band of mixed stitches across the surface and I have some other small fancy pieces to add to it. 

image and design copyright RPS

Like many of my collages, I don't have a vision for the end of this piece, I will know it when it looks right.  The important thing is to realize when it is time to stop, I don't want to overdo it.  Maybe this weekend I will do something with the Mardi Gras series...

World War I Challenge Progress

Sadly, I am missing the entry deadline for this quilt, it is still not finished.  I'm not upset by missing the deadline, I will still finish the quilt and since I am going to be a vendor at the show it was to be entered into, I will have it on display (and for sale) in my booth.  I have a few more things to add to it, but here are a couple of detail images of the quilting and the very cool stamens in the poppies (hand stitched - straight stitches with French knots).  Enjoy!

images and design copyright RPS

This week is quieter than last, so I really have every intention of posting on Thursday... will it be about the finish of this quilt, or something else?

Spring Cleaning, Spring Projects

It is vegetable garden season again, so for the next few weeks, I am going to go with one post a week here.  One thing is for certain, I am never bored!  In the midst of planting, I started some new sizes for my mini boxes, and I am once again working in color.  Here is a view of a whole pile of sides to be embellished:

I have also been doing some spring cleaning, and I came across two zip bags full of 2" puffballs that I made a few years ago, with little idea of the final result.

The pastel ones are decorated with my early efforts in hand stitching.  About two years ago, I took some of the pastel puffballs lined them up in a shallow, open fabric box.  They looked like a surreal box of chocolate candies, a tribute to my days as a candy maker.  I'd like to create some other oddball fabric sculptures with these crazy puffballs.  To start, I think I will try putting a few in my mini boxes.  I need to decide if I should stitch them in the boxes, or just set them in there, to be removed and replaced.  I have no functional use in mind for the puffball stuffed boxes, just something fun to have around.  Well, they do have a purpose, to make their owner smile.  We all need things in our lives who sole purpose is to make us smile.

A Little Progress

Aside from spring planting and fall harvest, nothing gets me off track more than packing for a quilt show.  I have not accomplished much on the samples for the demos I will be doing this weekend, but I have enough done to show the samples.

Image and design copyright RPS

This is part of a collage that I am doing on a vintage tea towel.  Take a look at the feather stitch I used to stitch a length of silk sari ribbon around a square cut from a vintage hankie.

Image and design copyright RPS

This is a bigger view of the above detail.  The piece above the hankie is a mini collage that I started as another project that stalled, so it is going into this tea towel creation.  I am feeding my fascination with layers upon layers with this piece.

Not my stitching here!  This was the stitching on the tea towel when I rescued it in an auction box lot.

Finally, a little stitching I managed to finish on one of the collages that I will be talking about in Lebanon, Ohio this weekend.

Stitching Around

Maybe I am too ambitious, as I habitually envision myself completing more than I actually do.  Obviously, I am not as far long on my collages as I wanted to be.  But, I have been stitching:

The stitching in the center of the doily is just a lazy daisy in a Valdani 8 weight.  I think it is looking reminiscent of a sunflower seed head. 

I have also played with filling in the designs in the ivory dyed doily:

Here is a detail of the stitching:

I like the leaves, but I am not completely sold on using the buttonhole stitch to fill in the flower petals.  It is looking better the more I go along.  How much father will I have crept along by Thursday?

More Cigarette Silks

In an earlier post this year, I lamented the lack of cigarette silks in my collection of vintage textiles.  I have corrected that now, with this recent antiques mall find:

This is an unfinished project, done in the crazy quilt assembly style.  Most of the pieces are true cigarette silks, printed with flags of various nations.  The silks are larger than the two that I have already, these are about 3 X 4".  Two pieces are commemorative ribbons from social club events with a European ancestry requirement.  These identical ribbons are dated 1927, and I have no idea yet what language they are imprinted with... will have to investigate "Kesajuhlet."  The world of old social clubs and secret societies is a whole areal of study on their own, a fascinating study.... for someone else!

The silks are machine sewn to a piece of muslin backing, then lengths of satin ribbon were machine sewn over the seams,  The maker hand stitched over almost all of the ribbon with a herringbone stitch.  What I want to know (and never will) is why the yellow herringbone stitching on the top horizontal row stops half way across, and why four of the silks are upside down.

What is fun for me is making connections with these vintage objects,  I'll never know the maker or the answers to the above questions, but I am certain that the hand stitches are done in Glossilla Rope embroidery cording ("Brighter than Silk").  I found a stash of new-old-stock Glossilla at a recent quilt show:

I have found it to be impossible to pull through regular cotton fabric, but it works well for couching or for the weaving thread in whipped and threaded back and running stitches.  Someday soon I will try it through silk.

Quilting ideas

The actual process of quilting my textile art pieces always gives me trouble.  I'm bored with the usual quilting motifs; most of them just don't work well with my ragged edge collage technique.  I must quilt these creations, the stitching holds the layers together and it is mandatory to enter them in shows, the stitching through layers of fabric is the total identity of "quilt."  The quilt stitching is also a vital design element in the whole piece.

I'm not proposing any solid answers here to my own dilemma; I guess I am just ranting today.  I have some ideas that I am soon to attempt.  Recently, I found these line drawings while doing research on something else:

This page is from the October, 1887 Criterion magazine, located at the Marietta College Library.  I believe that it was part of an order form for embroidery patterns, but I am wondering if I could use the idea of line drawing and turn that into quilting designs.  The concept probably still won't work with most of my collages, but I could easily come up with another overall design concept to feature the line drawing-quilting.  Maybe I'll just use much bigger collage pieces.  Creativity is all about rethinking what you have done and figuring out how to do what you want to do.

Adventures in the Bluegrass

My annual trip back to Lexington, Kentucky always leaves me completely spent, but as always, a good time was had.  The main purpose for the trip is BreyerFest, the convention for collectors of model horses.  Since I lived in Lexington for five years, there are places that I got to know that I must revisit.   

This year, I planned to spend half a day in the beautiful Lexington Cemetery.  I have been playing with making rubbings of interesting gravestone carvings with crayon on fabric.  On previous visits to the Lexington Cemetery, I discovered several graves that had long, profound poems carved into them.  Way back, I made some rubbings on paper of them that I now cannot find.  I want now to make some art quilts incorporating those poems.  Of course, I never wrote down the sections where those graves were located.

 

Even at 9 AM, it was awfully hot and humid.  I wandered through a couple a sections, and made a few uninspired rubbings.  One was a nice Celtic knot pattern:

I drove to another part of the cemetery, wandered a bit more, still not finding what I wanted.  By accident, I found the resting place of the notorious General John Hunt Morgan.  I have a tenuous connection to the Confederate general – I’m fairly certain that Morgan passed by the property I now live on during his brazen Ohio raid.  At this point, I realized that I would have to come back in cooler weather for the sole purpose of finding the graves I wanted.  I had thought that I would have a nice start to a new art quilt featuring gravestone rubbings, but not yet.   

Then it was on to another favorite Lexington spot, The Stitch Niche.  This is a nice yarn and cross stitch shop, but I do not knit, crochet, or cross stitch.  As I’ve indicated in other posts, I use all sorts of funky yarns as embellishments, and there are a variety of fancy threads marketed for cross stitch that are also great for hand sewn embroidery (think crazy quilts, Carol Ann Waugh’s Stupendous Stitches, etc.).  I have really gotten to love the varied lines put out by Rainbow Gallery, and the Stitch Niche has a small selection.  I think I bought at least one of each of the different lines that they had:

 

It is raining now, much needed.  Since I cannot attend to the garden, I will be trying out my new fancy threads.  I need to start a crazy quilt sample for the upcoming shows.

Embroidery Stitches

Whenever I get together with other art quilters, talk often turns to techniques and where one gets their ideas or where they learned a certain way of doing something.  I have been wanting to talk about textile art resources for a while now, so here is the first of a periodic series on what I have been using to learn.  NOTE:  I do not receive any compensation for mentioning any book, product or individual on this blog!

 

I have been working on a (somewhat) weekly project, making a fabric postcard sampler of hand embroidery stitches.  The amazing array of textures created by hand stitching in crazy quilts and ribbon embroidery was probably the biggest factor in my finally learning to sew and jumping into art quilting.  Over the past few years, I have amassed a stack of books on fancy stitches.  I keep coming back to four of them more than any of the others.

For my weekly stitch samples, I have slowly been working my way through the Embroidery and Crazy Quilt Stitch Tool by Judith Baker Montano (C&T Publishing, 2008).  You really can’t go wrong with any of her books, but I feel that this is the best of her stitching books if you want to learn stitches.  No images of her stunning stitch work here, just clear instructions on creating some 180 thread and ribbon stitches, very easy from which to teach oneself.  My little project consists of making one postcard per stitch, and I use as many different threads as I can, resulting in my own visual stitch journal/”dictionary.”  It is a great reference for choosing a thread and stitch for a certain look that I want to achieve, and sometimes it is a reminder that some stitches don’t look so great in some threads.  If something doesn’t work out, I leave it as a reminder. 

Another stitch guide that I refer to frequently is Creative Stitching by Sue Spargo (self-published, 2012).  This source covers only about 50 stitches, and there is some duplication with the Montano book, but there are enough other stitches not in Montano to make it worthwhile.  Spargo also gives helpful recommendations on what needles to use for each stitch.  

Once I’ve mastered the basics of some new stitches, I look to Montano’s Free-Form Embroidery (C&T Publishing, 2012) and The Magic of Crazy Quilting by J. Marsh Michler (Krause Publications, 2003) for endless inspiration on combining and altering stitches by stretching and overlapping. 

As I mentioned, I have other books on embroidery stitching, and there are more than that out there, these are simply then ones I use most often.