I'm in a garden planning mode this week, after my hollyhock dye adventures from the weekend. I usually plan and plant more than I can reasonably handle, not just in gardening, but in other aspects of my life. So many dreams, so little time! The weeds start getting ahead of me halfway through the season, and end up hiding ripe vegetables from my sight.
With these grandiose gardens in my head, here's five things I want to plant and use for dyeing:
1. Dyer's Coreopsis (Coreopsis tinctoria) (pictured above)
2. Safflower (Carthamus tinctorius)
3. Dahlia (Dahlia sp.)
4. Woad (Isatis tinctoria)
5. Japanese Indigo (Persicaria tinctoria/Polygonum tinctorium)
I have had Coreopsis and Woad in my garden, and I let them go to seed to have more plants in the next year for dyeing. Sadly, I got wrapped up in other things and forgot to watch for the seeds. I hope they sprout on their own this year, and that I don't pull the seedlings, thinking they are weeds.
Thursday, March 29, 2018
Tuesday, March 27, 2018
Hollyhocks in March
I should have been making double use of my wood-burning stove all this past winter, simmering small batches of natural dyes. I finally cooked up a couple of pots this past weekend. First was a trial of purple onion skins:
There is no use in separating the varieties of onions, they all turn out the same on fabric. The purple onion turned out the same as a batch of yellow onions that I did a while ago. I like the golden color that they impart on the silk.
Next I tried two batches of dried hollyhock flowers. I had high hopes for these, as the flowers I started from seed two years ago. Hollyhocks are biennial, they don't bloom until their second year, and then the plants die. To keep biennials going in a garden, they must be planted each year to keep the blooms coming each season. Last summer, my hollyhocks were just stunning, and I want to continue their splendor in fabric.
The batch of red hollyhock was a bust. The water turned a murky rose color, but it did not take to the fabric. The "black" hollyhocks (see above picture) were a success - lovely tones of blue-green!
I neglected to plant hollyhock seed last summer, so I might not have any this season, but I will plant them soon to have blooms in 2019. I want to try dyeing with fresh flowers from them.
There is no use in separating the varieties of onions, they all turn out the same on fabric. The purple onion turned out the same as a batch of yellow onions that I did a while ago. I like the golden color that they impart on the silk.
Next I tried two batches of dried hollyhock flowers. I had high hopes for these, as the flowers I started from seed two years ago. Hollyhocks are biennial, they don't bloom until their second year, and then the plants die. To keep biennials going in a garden, they must be planted each year to keep the blooms coming each season. Last summer, my hollyhocks were just stunning, and I want to continue their splendor in fabric.
The batch of red hollyhock was a bust. The water turned a murky rose color, but it did not take to the fabric. The "black" hollyhocks (see above picture) were a success - lovely tones of blue-green!
I neglected to plant hollyhock seed last summer, so I might not have any this season, but I will plant them soon to have blooms in 2019. I want to try dyeing with fresh flowers from them.
Thursday, March 22, 2018
Breaking the Rules
Today I resumed working on an art quilt that will definitely horrify traditional quilters. Here is a detail of it:
This is a ragged old printed tablecloth that I covered with crayon rubbings of gravestone cravings, two shocking "violations" right there. What self-respecting quilter would use a torn and stained tablecloth in a quilt, not to mention scribbling all over it with crayons? I'm not stopping there with the upheaval of quilting rules, I am putting the tablecloth - a light value piece of fabric, over a black background! So much for "work light to dark," this one is dark to light.
Now, my intent with this quilt is really not to shock the traditional quilters, or anyone. I started this more as a challenge to myself to make something out of the worn-out tablecloth that I got stuck with from an auction box lot. This is even more of a challenge for me as this quilt is the largest piece I have attempted. It will finish at about 50 X 58, certainly not close to bed quilt size, but new territory for me.
This is a ragged old printed tablecloth that I covered with crayon rubbings of gravestone cravings, two shocking "violations" right there. What self-respecting quilter would use a torn and stained tablecloth in a quilt, not to mention scribbling all over it with crayons? I'm not stopping there with the upheaval of quilting rules, I am putting the tablecloth - a light value piece of fabric, over a black background! So much for "work light to dark," this one is dark to light.
Now, my intent with this quilt is really not to shock the traditional quilters, or anyone. I started this more as a challenge to myself to make something out of the worn-out tablecloth that I got stuck with from an auction box lot. This is even more of a challenge for me as this quilt is the largest piece I have attempted. It will finish at about 50 X 58, certainly not close to bed quilt size, but new territory for me.
Thursday, March 15, 2018
Ideas and Inspiration
What was I thinking in my last post, promising to write
about getting ideas? For me, ideas for
art pieces come from anywhere and everywhere.
If I lived to be 100 and sewed constantly until then, I still would not
get out all the ideas that I have in my head.
For those of you looking for inspiration, it is a matter of training
yourself to see and not just look. Don’t
overlook simple things, if you pass over many possible ideas, it is time to ask
yourself whether or not you really want to make something. Forget about the myth of waiting for
inspiration, ideas are all around you.
I might be captivated by a vintage textile. My collages usually start with two or three
vintage pieces that I like, and I build a composition around them.
A color combination could get me started:
I am surrounded by beautiful Appalachian meadows, forests
and farmland, some of my art reflects the scenery I see every day.
Oddly, abandoned buildings hold great fascination for
me. My fabric boxes are my way of
capturing the passage of time. Those
same boxes came about first from a quote in a John Steinbeck novel.
Most importantly, just make things! Make time to be creative at least several
times a week. Turn off the TV for an
hour, and create. Don’t be afraid of
making a mistake, it will happen, but that is how we all learn. I am always reciting my mantra that a new
skill or technique will not be perfect the first time that you try it. Keep going!
Friday, March 9, 2018
Getting Started with Art Quilts
A day late...
I'm often asked how to get started in art quilting. There are many resources out there now for art quilting, not just books, but blogs (like this one!), workshops, retreats, online classes and more. To me, the most important thing in an art quilt is that the finished piece is your own original design. No patterns or kits, just your personal vision. Too many people let themselves get intimidated by being original and creative. Creating artwork in any media is no different than learning a language, playing a musical instrument, or any other skill. Way back in our youth, we started to learn to read and write by first learning letters and their sounds. The letters were put together in words, then sentences. We learned grammar and punctuation, building to paragraphs. Best-selling novels are not written by kindergartners! Did you learn to sew in one hour?
I have encountered three excellent books for anyone interested in art quilting and being more creative. The first is Art Quilt Workbook by Jane Davila and Elin Waterston (C&T Publishing, 2007). Another one is The Fiber Artist's Guide to Color and Design: The Basics and Beyond by Heather Thomas (Landauer Publishing, 2011). One more is Art + Quilt by Lyric Kinard (Interweave Press, 2009). All three do a great job of explaining the vocabulary of art design elements, and have a series of exercises to complete, highlighting the design concepts. It is crucial to do the exercises - build your skill set. Most importantly, make things!
Next time, a bit about getting ideas.
I'm often asked how to get started in art quilting. There are many resources out there now for art quilting, not just books, but blogs (like this one!), workshops, retreats, online classes and more. To me, the most important thing in an art quilt is that the finished piece is your own original design. No patterns or kits, just your personal vision. Too many people let themselves get intimidated by being original and creative. Creating artwork in any media is no different than learning a language, playing a musical instrument, or any other skill. Way back in our youth, we started to learn to read and write by first learning letters and their sounds. The letters were put together in words, then sentences. We learned grammar and punctuation, building to paragraphs. Best-selling novels are not written by kindergartners! Did you learn to sew in one hour?
Two early projects that I made from The Art Quilt Workbook
Image and designs copyright RPS
Art has its own elements that need to be mastered a little at a time: color, design and composition. Creativity can be learned or more appropriately, re-learned. Too often , creativity is discouraged as we proceed in our education. Yes, rules should be followed, but we also need to recognized when the rules must stick , and when we can stray from them.
One of the exercises that I made from The Fiber Artist's Guide to Color and Design
Image and design copyright RPS
Next time, a bit about getting ideas.
Tuesday, March 6, 2018
Postcard from Lebanon, Ohio
What a weekend! It was good to visit an old stomping ground of mine, even if I did not get to do any sightseeing or much shopping (outside of the quilt show).
The show was successful for me, not so much financially, but in that I inspired a significant number of people. I really appreciate the positive responses to my product line and finished art work. Most of all, I am honored that I had several people approach me expressing their own desires to be more creative. Keep reading my rambles here for answers to your questions of me. I have much to get through here over the next couple of weeks from this past weekend. Welcome to new readers!
Before I get to creative concerns on Thursday, I want to give my appreciation to several Lebanon, Ohio organizations and businesses. First, the Warren County Historical Society for holding the quilt show. I hope that it was a successful fundraiser. Travelers to the region for next year's show or other reasons, I recommend the Shaker Inn Motel for lodging, a nicely maintained vintage motel. Eat at the Breakfast Club early (the chocolate chip waffles are amazing), Houston Inn for an upscale meal, Doc's (great food, but boisterous bar atmosphere), and for a historic, upscale place with food well worth the price, The Golden Lamb.
Next time, I will have some book recommendations for those of you who want to jump into art quilting and some thoughts on getting inspiration.
Before I get to creative concerns on Thursday, I want to give my appreciation to several Lebanon, Ohio organizations and businesses. First, the Warren County Historical Society for holding the quilt show. I hope that it was a successful fundraiser. Travelers to the region for next year's show or other reasons, I recommend the Shaker Inn Motel for lodging, a nicely maintained vintage motel. Eat at the Breakfast Club early (the chocolate chip waffles are amazing), Houston Inn for an upscale meal, Doc's (great food, but boisterous bar atmosphere), and for a historic, upscale place with food well worth the price, The Golden Lamb.
Next time, I will have some book recommendations for those of you who want to jump into art quilting and some thoughts on getting inspiration.
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