Scrapbooks and Ephemera, Part Three

Information on Cornell from: Joseph Cornell/Marcel Duchamp… In Resonance, Menil Foundation, Houston, TX, 1998.

Joseph Cornell (1903-1972), having no formal art training, could be considered an outsider artist.  He produced three dimensional mixed media collages that were encased in wooden boxes (usually glass fronted).  During his active years as an artist, he found success in the Dada and Surrealism movements beginning in the 1930s, and collaborated with Marcel Duchamp, among other elite art world associations.  I’ll admit to being strongly influenced not only by Cornell’s collage/assemblage artwork, but also by his vast collections of ephemera.  Check out some of his artwork here and here, and read on.

Cornell amassed quantities of images, printed matter and personal notes on numerous subjects of interest to him: 19^th century advertising, ballet dancers, movie stars, literature, music, etc.  He referred to his subject collections as "dossiers."  Some of this material ended up in his collages, much of it did not, languishing in his home until being preserved as the Joseph Cornell Study Center at the National Museum of American Art (Washington DC).

One of my own Cornell-inspired dossiers

These personal collections assembled by Cornell were generated out of his own interests, probably not with any intent of them becoming a research source.  Cornell kept his ephemera collections relatively organized, but they were not pasted into scrapbooks, as the material was intended for use in collages.  In a way, the excess material and the finished collages themselves were scrapbooks in a different physical form. 

I started amassing my own files of notes, clippings and images before I ever knew of Cornell, but after discovering his collecting methods, I of course kept going.  I keep a limit on things, as I want to have a presentable living area!  Some of the things for which I have my own “dossiers” include: vintage sewing machine advertising, rare horse breeds, Euclid Beach Park, Route 66, and yes, even Joseph Cornell.

Next Tuesday, I’ll connect the dots on how Langstroth and Cornell relate to being more creative.  My next post on Thursday will return to the purple collage.